Mohammad Taqi (1722/23-1810) was born in Akbarabad, now Agra, in a family
of very modest means. His father, a pious man of high spiritualist leanings,
wished him to follow the path of piety and got Syed Amanullah, a young man
who revered
Meer’s father, to mentor him. The two did not live long enough to see Meer grow
as they wished. Left on his own at an early age of eleven, Meer had to fend for
himself then, and thereafter. As he had to explore the means of his livelihood,
he went to Delhi where he met Khwaja Mohammad Basit, a kind man, who
introduced him to Nawab Samsamuddaulah with whom he
found favour. The nawab provided him with the source of his sustenance
but it did not last long as he was killed facing Nadir Shah’s attack. Forlorn
once again, Meer veered between Delhi, Agra, and its neighbourhood finding
irregular support from several nobles for meeting his day-to-day- needs. While
he suffered immeasurably at a personal level, he also witnessed the attacks of
Nadir Shah and Ahmad Shah Abdali on Delhi, and the decline of Mughal Empire.
As Delhi stood derelict and saw the men of taste leaving one by one, he too
left. He was called by Nawab Asifuddaulah to Lucknow where he found relief
but the extreme sensitivity of his nature did not let him live in peace for long.
He refused the favours from the nawab and retreated into his own shell of
loneliness and suffered his misery. Happiness was only a short season in
Meer’s life; pain a perennial condition. He lived without an address in life, as
in death, since the place he was buried is no longer traceable
after the laying of rail tracks in the vicinity.
Meer is generally supposed to be a poet of angst but his greatness lies in
how he unravelled the existential dilemmas, developed a form, evolved his
diction, and brought it to perfection. One ofthe most remarkable features of his
poetry is that he has expressed himself with complete sincerity and disarming
frankness on almost every aspect of life and living. This is well testified by the
six divans of Urdu and one of Persian ghazals he has left behind, apart from
his mathnawi, musaddas, qasida, hajw, and wasokht. He also wrote
Nukatusshuara (a tazkira of Urdu poets) Zikr-e Meer (an autobiography), and
Faiz-e Meer (a description of Sufi saints) which ensure him a place of
prominence in the annals of Urdu literature as a poet,
biographer, and critic of sorts.